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"If I think too hard about the brush strokes I am about to make or what will happen next in a painting, something's lost, it becomes too considered. I need distraction and with the radio on as a sort of drone there's a sublime moment where the marks I make and the noise of the radio fuse, and I am neither completely in one world or the other, and it's those moments that are the most successful creatively as something 'other'
seems to take over."
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