| Some
things are only understood after they have passed. This is often the
way with the supernatural. A person may or may not be a believer.
They can experience something and not understand its significance
until after the event, sometimes not until many years after when it
may have slipped from their conscious mind. It happens then, that
an event or an intervention, purely by chance alerts the mind to what
had gone before and solves the mystery. So it was with Catherine Oldroyd
and the soldier.
Catherine
grew up in the village of Cressington that had long since become
a suburb of the nearby town. Her street was one of late nineteenth
century houses that backed onto the 1960s junior school which she
herself attended. By 13, she was delivering the local evening paper.
Mum had not been entirely happy about this and insisted she carried
an alarm and constantly warned her against speaking to strangers.
It was on her paper round she first met the soldier.
She
delivered papers to houses along the streets around where she lived,
including a copy to her own house. Her dad joked, in fact, that
she would not get a Christmas box from him. In the spring and summer
delivering papers seemed no chore at all and she could be back indoors
completing her school work before mum got home from work. After
the clocks went back and the evenings drew in it was different.
No matter how hard she tried she could never get back from school
soon enough to begin her round much before ten to four. If the weather
was poor she would be finishing her round in the dark.
It
was one such evening that Catherine first met the soldier although
at the time she did not realise he was a soldier. It had been damp
and misty all day and by the time she began her deliveries the streets
were shrouded in a clinging damp that threatened to soak the newspapers
in the yellow day-glo sack in which she carried them. But neither
the weather nor the dark worried her: her route was around well
lit streets that she had known all her life.
She
had just pushed the newspaper through the letter box of the house
two doors from her own when as she turn to leave she was startled
to be confronted by a figure coming down the pathway. It was too
dark, despite the street lamp back on the road, to make out much
of him until he stepped into the light thrown by the security lamp
high on the wall behind Catherine.
'Evening,'
he said, 'foul weather. You must be Eileen's little girl?' He was
not tall, shorter perhaps than her dad. He had fair hair cut so
short that it was barely visible beneath the black beret that was
pulled tight over his head. A dark heavy coat with shining buttons
reached below his knees the collar was turned up against the weather.
'No,'
replied Catherine as she edged passed him, 'My mum's called Joan
and we live at number 32. Good night.' The air had suddenly gone
very cold.
She
saw him again many times that winter, but only in an evening when
she delivered to number 28. It was odd. His conversation never got
far beyond the basics and more than once he again mistook her for
'Eillien's little girl'. Sometimes his coat was undone to reveal
a brown uniform beneath and it was always cold down the side of
number 28.
Funnily
enough it was school that first tipped her off that he must have
been a soldier. It was during a history lesson. They were watching
a video about World War Two and soldiers were seen getting ready
to go into action or parading and she recognised the heavy coat
he wore and the beret. She guessed that army clothing must have
changed over the 50 years since the war and that maybe he had bought
the coat and the beret at one of the many places, the stall in the
market for instance, that sold surplus army equipment.
She
carried on with her paper round right through her last two years
at school despite her mother's worry that it might interfere with
her GCSE work. It was never time consuming and even when she got
the chance of two rounds when someone else went sick she could still
get home with plenty of time to tackle her school work. And she
said hello to the soldier regularly throughout that two years though
she noticed that she saw him less as the evenings got lighter and
not at all after April.
Catherine
mentioned him to her dad. 'Soldier? I don't think there's any one
in the army living there. Mind you. he'd be away most of the time.
A young couple live there don't they? Could be a brother I suppose.'
Her
school work obviously never suffered because she did well enough
at GCSEs to gain entrance to the local Sixth Form College to begin
A-Levels. She had even began to think about her career: journalism
was what she wanted to do.
As
well as their principle subjects, students were offered the chance
to undertake a general studies course if they wanted to. As she
had ambitions to work in current affairs she eagerly opted to take
the course. It was just her sort of thing - looking at world events
using TV programmes and discussing the issues. One week, just before
the Christmas break the tutor, Mr Wilkins, came in with something
a bit different.
'Hey
Catherine, you're interested in journalism aren't you? There's a
bit of a story here.' He brandished a video cassette. It seemed
his wife worked in the Local Studies Library and for as long as
she could remember in the corner of the stock room had sat a box
of film cans. On the box it had simply said the name of the town
and the name 'Councillor Rigby'. There were no projection facilities
so the box and its contents had been ignored. Then over the last
ten years or so, technical changes had made it possible to cheaply
convert cine film into video so that it could easily be viewed on
an ordinary television. Many companies advertised this facility.
One operated locally and library staff had been able to persuade
them to tackle the box of film for not much more than cost.
'At
what's more,' Mr Wilkins added, 'a lot of it is about your village.
Councillor Rigby was from Cressington. That's where you live isn't
it, Catherine?'
So
they sat and watched the compilation of what were in effect bits
of a home movie, edited badly, or perhaps not at all and strung
together with no sense of proper order. Some bits were colour, others
black and white. There was no sound but there were sometimes home
made title frames to explain scenes. Some of it was scenes from
domestic life - kids playing in a garden that Catherine recognised
as belonging to one of the big houses two streets from her own.
Sometimes there was film of council meetings or school sports days.
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