War and peace meet in music of remembrance and journey. Ravel’s Le Tombeau de Couperin shimmers with colour, Vaughan Williams’s Songs of Travel, sung by Steffan Lloyd Owen, turn inward and Sibelius’s First Symphony drives north with urgency and force.
War and peace meet in music of remembrance and journey. Ravel’s Le Tombeau de Couperin shimmers with colour, Vaughan Williams’s Songs of Travel, sung by Steffan Lloyd Owen, turn inward and Sibelius’s First Symphony drives north with urgency and force.
War and peace meet in music of remembrance and journey. Ravel’s Le Tombeau de Couperin shimmers with colour, Vaughan Williams’s Songs of Travel, sung by Steffan Lloyd Owen, turn inward and Sibelius’s First Symphony drives north with urgency and force.
War and peace meet in music of remembrance and journey. Ravel’s Le Tombeau de Couperin shimmers with colour, Vaughan Williams’s Songs of Travel, sung by Steffan Lloyd Owen, turn inward and Sibelius’s First Symphony drives north with urgency and force.
War and peace meet in music of remembrance and journey. Ravel’s Le Tombeau de Couperin shimmers with colour, Vaughan Williams’s Songs of Travel, sung by Steffan Lloyd Owen, turn inward and Sibelius’s First Symphony drives north with urgency and force.
War and peace meet in music of remembrance and journey. Ravel’s Le Tombeau de Couperin shimmers with colour, Vaughan Williams’s Songs of Travel, sung by Steffan Lloyd Owen, turn inward and Sibelius’s First Symphony drives north with urgency and force.
Under Ludovic Morlot, three imaginative voices take centre stage. Stravinsky’s Jeu des cartes sparkles with wit, Britten’s youthful Double Concerto features Ben Baker and Tim Ridout, and Ravel’s Mother Goose Suite closes in glowing fairy‑tale colour.
Under Ludovic Morlot, three imaginative voices take centre stage. Stravinsky’s Jeu des cartes sparkles with wit, Britten’s youthful Double Concerto features Ben Baker and Tim Ridout, and Ravel’s Mother Goose Suite closes in glowing fairy‑tale colour.
Under Ludovic Morlot, three imaginative voices take centre stage. Stravinsky’s Jeu des cartes sparkles with wit, Britten’s youthful Double Concerto features Ben Baker and Tim Ridout, and Ravel’s Mother Goose Suite closes in glowing fairy‑tale colour.
Under Ludovic Morlot, three imaginative voices take centre stage. Stravinsky’s Jeu des cartes sparkles with wit, Britten’s youthful Double Concerto features Ben Baker and Tim Ridout, and Ravel’s Mother Goose Suite closes in glowing fairy‑tale colour.
Elegance and rhythmic energy shape this programme under Samuel Lee. Ravel’s Pavane opens in poised reflection, followed by the world premiere of Salina Fisher’s Violin Concerto with Geneva Lewis, before Poulenc and Bernstein’s West Side Story bring exuber
Elegance and rhythmic energy shape this programme under Samuel Lee. Ravel’s Pavane opens in poised reflection, followed by the world premiere of Salina Fisher’s Violin Concerto with Geneva Lewis, before Poulenc and Bernstein’s West Side Story bring exuber