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Simon Brett
Simon Brett "I know I work best in silence but seldom have the strength of will to start the day like that."

You'd think, wouldn't you, that while illustrating the legends which inspired The Ring, that I'd have Seigfried or Gotterdammerung churning from the CD player as I worked? Once or twice I did, but most often music acts as it does in the movies, whooping up an image to a grandeur which, silent, it does not contain, and thus deceiving the working artist. The image must be as intense, silent, as music, story or poetry is in itself.

On the other hand, there is a part of the mind which chatters away in words, not deceiving this time but simply distracting, and it is this part which speech radio can cream off, allowing the visual mind to work serendipitiously. Of course, sometimes a play or programme on Radio Four can be so moving or involving as to draw one away from the work. It's a gamble then which wins, and often the radio does.

I know I work best in silence but seldom have the strength of will to start the day like that. In an ideal world I would only work when concentration is that perfect, but, hey, I have a living to make too. And anyway, I would have nothing to talk to my wife about in the evening. Radio 4 is an astonishing resource.
Simon Brett was born in 1943. He learned wood-engraving from Clifford Webb at St Martin's School of Art, London, 1960-64. He's illustrated many books for the Folio Society, private presses etc.

Simon is a former chairman of The Society of Wood Engravers and exhibits regularly there. He writes and compiles books and articles on wood-engraving. His last solo exhibition was at Peter's Barn Gallery, Sussex, in 2000.

Simon Brett has made over 100 bookplates, mostly as personalised commissions. Brian North Lee's monograph on them was published in 1989 by the Fleece Press.

He considers any and all commissions, enjoying the collaboration with sympathetic clients. He works in drawing and engraving. His characteristic subject matter is either closely observed total naturalism or literary/thematic illustration.
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