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Julie Held
Julie Held "I always take my radio into my studio."

It helps be to overcome the ever-present feeling of "I'll never be able to do it", which is a familiar morning ache. By the time that I have picked up my brushes and put fresh paint out and have tuned into the programme mentally I'm on my way. Sometimes I listen but more often I hear what is on. However, by the afternoon as I am winding down my concentration is focussed back into the world via Radio 4. In both instances the radio and the BBC have made me able to make my transitions. I've done this all my life, perhaps influenced by my mother who did the same - she was a sculptor.
Born in London in 1958, Julie Held studied art at the Camberwell School of Art, 1977-81. She won the Picker Fellowship at Kingston Polytechnic where she had her first solo show in 1982, followed by a post graduate course and diploma at the Royal Academy Schools, 1982-1985. She won the Royal Overseas League's first prize in 1984 and was also awarded by them the Lucy Morrison Prize two years later. She was elected an Associate of the Royal Watercolour Society in 2003.

Held is probably better known abroad than in her native England. She had solo exhibitions in Germany (Leipzig and Hamburg) and in Prague at the Kafka Gallery in 1998. In both countries she received high critical acclaim.

Although she has been associated mostly with her Jewish heritage and its painful experiences, casting shadows on the past, her recent output with its rich palette proves that celebrating the joys of life is just as important to her.

Phillip Vann writes: "The journey to a deeper spiritual reality takes many forms. The people in Julie Held's most assuredly figurative paintings all exist on the psychic threshold, as it were. A borderland state, which promises, in many cases, potential inner treasures of great price. They are depicted as dreamers, swimmers, voyagers, brides and grooms, the dying, readers seeking knowledge, mourners, religious congregants and as celebrants at (literally) the table of life. The heart-rending vulnerability - and simultaneously, secret, often unsuspected and transfiguring inward strengths of those we love, is perhaps the chief subject of Held's art."
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