"If you are going to use destructive processors, e.g. any type of compression on the whole mix, normalizing, ultra maximizing, peak limiting, please provide the engineer with a non-processed mix."
Jason Goz
Mastering engineer
Transition
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When you're working digitally, pretty much the same limitations apply to the sound of the engineer's mastering workstation as to the final CD.
With vinyl, the limits aren't so obvious and there are certain things which will sound fine in the studio but not so great when transferred onto a vinyl master.
For example, really extreme stereo effects on bass sounds and kick drums don't tend to cut very well.
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